georgia on my mind chords willie mnelson

Phil Collins was at the back on drums having recently joined the band, and providing backing vocals, and which were actually a very important part of their sound, which I didn’t realise until he was to become the front man a few years later.

Steve Hackett would be sitting on a stool playing those intricate beautiful melodies, Tony Banks was wringing swirling, brooding sounds from his organ and Mike Rutherford would be quietly plucking away at his bass. Peter shaved the front of his head during this period, and also started to experiment with costumes. “The Musical Box” and “The Return of the Giant Hogweed” were great stage favourites and would be preceded by long complex stories delivered in an enchanting, spell-binding and spooky manner by Peter Gabriel. Much of the set was drawn from “Nursery Cryme”, and I remember those songs best of all. During those years they released the classic albums “Nursery Cryme” and “Foxtrot”. The band were up and coming but they were also very much at the top of their game in many ways. They supported Mott the Hoople at a gig at Sunderland Locarno, and I also saw them as support for Lindisfarne at the City Hall (see programme) and at the Lincoln and Reading Festivals in 1972. I have already blogged on that gig, where Genesis stole the show, as they would always do in those days. The first time I saw the band was on the Charisma package tour where they were joined by Van Der Graaf Generator and Lindisfarne for the princely sum of 30p. Once I got with him it was easy to do the album.I have been delaying writing on Genesis, because they were so important to me in the 70s, and I wanted to be sure that I do my memories, and this special band, justice. I needed someone like Booker to write and arrange. These are complicated songs they have a lot of chords in them. “I had had the idea for some time but until I met Booker, I wasn’t really sure in my mind how well I could do these songs because of my limited musical ability, as far as writing down songs of this caliber. In an interview with the magazine’s Chet Flippo, Nelson acknowledged the major gamble he was taking with the LP. Stardust would coincide with Nelson’s first appearance on the cover of Rolling Stone in 1978. “He won,” Nelson said, adding, “But the next time we’re gonna turn the lights on.” The comment earned a hearty laugh from Charles, as can be seen in the clip below. But Nelson and Charles also played behind the scenes, too, enjoying a rivalry at chess that Nelson joked about during the special. The pair’s performance of “Georgia on My Mind” was a highlight of the program, as the two longtime friends sat together at the piano to trade vocals on the song, as seen above. In 1985, Nelson teamed with Charles during a Nashville Network concert simply titled The Willie Nelson Special. Most impressively, however, Stardust logged 540 weeks on Billboard’s Top Country Albums chart, eventually dropping off the survey a full decade later in 1988, by which time Nelson was a bona fide American legend.Įvery Awful Thing Trump Has Promised to Do in a Second Term A year after its release, Nelson’s version of the song earned a Grammy for Best Male Country Vocal Performance.

With Stardust, Nelson the hit songwriter was completely absent, which meant that his interpretive skills were allowed to fully flower on songs such as “All of Me,” “Moonlight in Vermont,” and “Blue Skies.” Following Nelson’s version of “Georgia on My Mind,” which would reach Number One in June, becoming only the third of the Texas native’s solo hits to top the chart, “Blue Skies” became another country chart-topper, which made Stardust Nelson’s first LP to produce more than one Number One hit. The album’s first single, Nelson’s passionate reading of the Hoagy Carmichael classic “Georgia on My Mind,” was released March 2nd, 1978, 42 years ago today. Nelson, meanwhile, could be seen as sort of taking that song’s message to heart with his follow-up album which, on the surface anyway, would seem to appeal less to cowboys than to “doctors and lawyers and such.” Released April 19th, 1978, Stardust offered Nelson’s interpretations of American pop standards. Their Waylon & Willie LP had spawned a massive hit with “Mammas Don’t Let Your Babies Grow Up to Be Cowboys,” which enjoyed a four-week run at the Number One spot. In early March 1978, Willie Nelson was atop Billboard’s country albums and country singles charts with friend and frequent duet partner Waylon Jennings.

Georgia on my mind chords willie mnelson